Production Tools

Sony PMW-EX1

Sony PMW-EX3

Sony XDCAM EX

The Red Camera

independent filmmaking

independent films

indie films

Feature film

low budget

HD Camera

cameraman montreal

cameraman ottawa

cameraman quebec

cameraman canada

pal camera crew

DOP

Sony PMW-EX1

Sony PMW-EX3

Sony XDCAM EX

The Red Camera

independent filmmaking

independent films

indie films

Feature film

low budget

HD Camera

cameraman montreal

cameraman ottawa

cameraman quebec

cameraman canada

pal camera crew

DOP


Sony PMW-EX3, Indie camera, indie films, indie film, independent, indie film, indy camera, high definition digital video, camera, cameraman, camera crew, montreal, quebec, canada, PAL, NTSC, crew hire, director, Sony PMW-EX1, FCP avid, SxS cards, Manuals, grip, matte box, shoulder brace, lighting, sound, film look, workflow, Cine Alta, sony, panasonic, JVC, Canon,

Budget


Here is the basic Canadian Telefilm Budget template

Telefilm Standard Development Budget Template

 
Camera Charts


Camera Charts

Here are some free camera charts from DSC Labs:

Frame Alignment Chart

Back Focus Chart

http://dsclabs.com/free_charts.htm



Chart of Tapeless Cameras

http://www.tapelessvideo.com/tapelesscamerascompared.php


Interference pattern to be use it on a screen for checking focus.

(could also be used on an iPhone)

http://www.northlight-images.co.uk/article_pages/cameras/1ds3_af_micoadjustment.html


Lens Focus Chart

http://www.vfgadgets.com/Free-Lens-Focus-Chart_ep_46-1.html

 
Film Look


What Gives Video The Film Look?


  1. 1. true 24p frame rate


  1. 2. motion blur


  1. 3. projection light bleed


  1. 4. correct grain structure


  1. 5. muted colour


  1. 6. depth-of-field


  1. 7. non-linear colour response


  1. 8. high-contrast lighting


  1. 9. to be continued...


http://www.learntocreatethefilmlook.com/


Learn to Create the Film Look

F-Stop Academy

http://www.learntocreatethefilmlook.com


Film Look In Post

Cinnafilm®

The Cinnafilm® HD1 real-time Film Simulator

http://www.cinnafilm.com



FILMLOOK Inc.

http://www.filmlook.com

 
Lighting


Bulb Replacement Numbers

Arri 1000 (open face) - DXW - 1000 - $18.25

Arri 650 (fresnel) - FRK-650 / DYS (600) - $10.90

Arri 300 (fresnel) - FKW-300 - $23.67

Arri 150 (fresnel) - ESP-150


Dedo 150 (fresnel) - HLX -150



Kino Flo Truecolor 55W/KF55 - K020-55C-K55



 


Forms and Templates
http://www.reelgrok.com/file.cfm

http://www.itvs.org/index.htm


An Introduction to Documentary Budgeting
By Robert Bahar

http://www.doculink.org/Downloads/IntroDocBudgetBahar.pdf

Low Budget Independent Feature Film Assistance Program
http://www.telefilm.gc.ca/03/311.asp?doc_id=32&fond_id=1http://www.reelgrok.com/file.cfmhttp://www.itvs.org/index.htmhttp://www.doculink.org/Downloads/IntroDocBudgetBahar.pdfhttp://www.telefilm.gc.ca/03/311.asp?doc_id=32&fond_id=1http://docorg.ca/shapeimage_8_link_0shapeimage_8_link_1shapeimage_8_link_2shapeimage_8_link_3
Books & Magazines

Jon Fauer’s Film & Digital Times

http://www.fdtimes.com

 
Apps


XDCAM Timelapse Calculator

http://www.vortexmedia.com/TIMELAPSE1.html

Vortex Media's Timelapse Calculator can be used in two ways:

1) Find out what the final duration of a clip will be with the settings you have chosen.
GO

2) Find out how long it will take to shoot a timelapse with the settings you have chosen.
GO

 
Broadcasters Approved HD Cameras


Here is the BBC commissioning information for producing in High-Definition

http://www.bbc.co.uk/commissioning/production/hd.shtml




Here is the CBC commissioning information for producing in High-Definition

http://www.cbc.radio-canada.ca/docs/HD-specs.pdf


 
Organizations


Documentary Organization Of Canada

 


realscreen
Best practices: Fundraising



http://realscreen.com/2011/01/01/best-practices-fundraising/#ixzz1ChwUrfx6shapeimage_13_link_0
Broadcasters Approved HD Cameras

BBC Approved HD Cameras


Studio Cameras

Sony HDC1500

Sony HDC1550

Sony HDC1400

Sony HDC1450

Sony HSC300

Sony HXC100

Grass Valley LDK8000 Elite Worldcam

Grass Valley LDK8000 Elite Standard

Grass Valley LDK4000 Elite 1080i


HD Handheld

Canon XF305

Canon XF300

Sony PMW-EX1R - with external recorder using a bitrate of 50Mbps or above

Sony PMW-EX3 - with external recorder using a bitrate of 50Mbps or above


HD Shoulder Mount

Panasonic HDX900

Panasonic HPX371

Panasonic HPX3000

Panasonic HPX3100

Panasonic HPX3700

Sony PMW320 - with an external recorder using a bitrate of 50Mbps or above

Sony PMW350 - with an external recorder using a bitrate of 50Mbps or above

Sony PMW500

Sony PDW, 700 & F800

Sony HDW F900R & 900

Sony HDW 790, 750 & 730


HD Specialist

Panasonic HPX2700 HDC27F & H

Panasonic AF101 - with an external recorder using a bitrate of 50Mbps or above

Sony CineAlta F35

Sony SRW 9000

Sony PMW F3 - with an external recorder using a bitrate of 50Mbps or above

Arri D21

Arri Alexa

Panavision Genesis

Thompson Viper

Red


Mini Cameras

Iconix HD-RH1

Panasonic HCK10/HMR10 - with an external recorder using a bitrate of 50Mbps or above

Toshiba IK-HR1S

Toshiba IK-HD1


Cameras should be chosen in consultation with the DoP and post production facility

Updated 14 April 2011 by Executive Producer of BBC HD: Ian Potts

 
Field of View


AbleCine Field of View Comparator


Sensor Size


Numerous cameras available today feature a “35mm-sized sensor.” How is this defined? They all vary slightly in size, and some are shaped differently so that, when used for HD shooting, the usable size is dramatically reduced. Our clients frequently ask how to compare these different cameras and how sensor size affects field of view and lens coverage. On this topic, words and numbers can be difficult to interpret, so Abel Cine Tech decided to produce a graphical chart to better compare areas of coverage. To view the chart and learn more about digital sensors click here.


 


http://livepage.apple.com/


Sony Super 35mm vs. Panasonic 4/3
http://livepage.apple.com/